I make paintings, prints and ceramics that balance figurative and abstract elements using vibrant colour relationships. I am very interested in the art of the past, especially medieval and Indian art, whenever the figure appears to the viewer in a frontal stance. Some kind of encounter is implied, which gives me a contemporary framework to explore the relationship between artist, artwork and viewer.

My compositions can be thought of as visual concoctions that layer references in an emblematic manner, contrasting flatness and three-dimensionality, surface and illusion, to compound meaning. My starting point may be visual or literary; enduring influences include Spanish Romanesque painting and the poetry and prose of Borges and Lorca.

I find the stories we have invented to explain the universe and our place within it to be a profound mixture of the beautiful, the bewildering and the absurd. Across different cultures there are many touchpoints divided by meaning. Today, in our globally connected world, this paradox makes singular interpretations impossible, even if this was the artist's original intent. These conditions create a sense of constraint and liberation, a set of parameters for me to work with, and for the viewer to meet with on their own terms.